Chloe Moretz and Julianne Moore star in a new version of Stephen King's novel that asks, 'What does Carrie want?'
Review: ‘Carrie,’ A Scared and Scary Little Horror Girl
Indie Weekend: ‘Escape From Tomorrow,’ Dallas Video Fest, and More
A cracked riff on Disneyland and the longest-running film festival in Dallas are among the highlights in new independent film openings.
Review: ‘We Are What We Are,’ A Family Comes to Grips with a Horrific Legacy
What deadly secrets are harbored by a tight-knit family in West Virginia?
Review: ‘Machete Kills’ Splatters Gooey Grindhouse Goodness on the Silver Screen
Danny Trejo returns in a new installment of Robert Rodriguez's Mexican exploitation action comedy.
Review: ‘Romeo & Juliet,’ Close Your Eyes and Think of Shakespeare
Hailee Steinfeld and Douglas Booth play the young lovers in a new adaptation of Shakespeare's classic.
Review: ‘Captain Phillips,’ Tom Hanks in a Gritty, Exhausting, and Rewarding Thriller
Tom Hanks gives a first-rate performance in a real-life tale of modern piracy on the high seas.
Indie Weekend: ‘Blue Caprice,’ ‘Parkland,’ ‘Pulling Strings,’ and More
A Saudi girl wants a bike, a demon lives inside a man's intestines, a sniper terrorizes Washington, D.C., the JFK shooting, and more.
Review: ‘Wadjda,’ A Young Girl Unveils Modern-Day Life in Saudi Arabia
A humane drama that is beautiful in its simplicity, perspective, sincerity, and gravity.
Review: ‘Gravity,’ A Gripping, Often Spectacular Thriller
Sandra Bullock and George Clooney star in an astounding, frightening science-fiction adventure.
Indie Weekend: ‘Enough Said,’ ‘Inequality for All,’ ‘Metallica,’ and More
I spent the past week (plus) in Austin attending Fantastic Fest, watching two dozen films and filing 11 reviews at Twitch. So apologies for being late with the updates last week and this. But there are good indie options this week.
Dallas Film Weekly 