Author: Peter A. Martin
Raised in Los Angeles repertory movie houses before spending a decade in tiny Manhattan cinemas, Peter Martin has been freely roaming in DFW multiplexes and art houses for most of the 21st Century. Founder and Editor of Dallas Film Now, Peter also serves as Managing Editor for ScreenAnarchy.com and is a contributing writer for Movies.com, Fandango, and other print and online publications. He is a proud member of the Dallas/Ft. Worth Film Critics Association.
Review: ‘The Hunger Games: Catching Fire’ Serves Up Connective Tissue Rather Than a Full-Bodied Meal
Indie Weekend: ‘Hell’s Angels’ at the Texas Theatre
Review: ‘Kill Your Darlings,’ This Beat Generation Story Lacks Poetry
Indie Weekend: ‘Muscle Shoals,’ ‘How I Live Now,’ and More
Review: ‘Dallas Buyers Club’ Rests Entirely On Matthew McConaughey
Out on Home Video: ‘Parkland,’ ‘Lovelace,’ ‘Passion,’ ‘Computer Chess,’ and More
Indie Weekend: ‘Blue is the Warmest Color,’ ‘Capital,’ ‘Diana,’ and More
Review: ‘All is Lost,’ Adrift on an Unforgiving Sea
